You Ending’s Book Change Idea Gets Intriguing Explanation From Director

Warning: This article contains spoilers for the book and film The Idea of ​​​​You. SCREEN VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Summary Director Michael Showalter and producer Cathy Schulman changed the ending of The idea of ​​you to give hope for the future of the couple, to please the public of romantic […]

You Ending’s Book Change Idea Gets Intriguing Explanation From Director

Warning: This article contains spoilers for the book and film The Idea of ​​​​You.



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Summary

  • Director Michael Showalter and producer Cathy Schulman changed the ending of
    The idea of ​​you
    to give hope for the future of the couple, to please the public of romantic films.
  • The film adds an epilogue that differs from the book’s melancholic ending, presenting a possibility for Solène and Hayes.
  • Schulman felt it was necessary to end the film on a positive note to convey encouragement of the possibilities and love of the story.


The idea of ​​you director Michael Showalter and producer Cathy Schulman explain why the film changes the ending of the book. The film, directed by Anne Hathaway and Nicholas Galitzine, is based on the book of the same name by Robinne Lee. It follows the tumultuous and unexpected relationship that surfaces between Solène Marchand (Hathaway), a 40-year-old single mother, and Hayes Campbell (Galitzine), the 24-year-old singer of the boy band August Moon. However, those who read Lee’s book were surprised when the ending of the film deviates slightly from the novel.

In an interview with TV InsiderShowalter and Schulman gave an interesting explanation for the change in The idea of ​​you‘Sending in progress. When it comes to romance movies, Showalter thinks audiences want to see some hope for the couple to be together. So, The idea of ​​you didn’t even need to give the audience a definitive answer about the couple’s relationship status to satisfy them. Schulman agreed with Showalter, also mentioning that the ambiance and “satisfaction factor” are different when you read a book or watch a movie. Check out their statements below:


Schowalter:
There is a very long history in romantic films of changing the ending so that the two main characters are together at the end. There is a somewhat pragmatic answer to this question, which is that the audience of the film just wants to see at least that there is some hope for these two characters at the end of the film. We don’t need to tell the public exactly how it ended. We don’t tell the public exactly where things ended. But we at least give the public the opportunity to try to fill it out themselves. As a fan of the genre, I love romantic stories that end with the two main characters having coffee, because it tells me there is hope.

Schulmann:
I felt that if we were going to make the effort to make such an uplifting film about possibility and love, leaving it out felt unsatisfying for a movie audience. I felt like the satisfaction factor is different when you’re reading a book than when you’re at home. There is a nostalgia and a kind of melancholy. You close the book, and you can kind of walk away and say, wow, that was an incredible moment that these people shared together. But I thought that for the film, the visual impact would be so strong that you had to believe that there was a possibility for the future.


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The idea of ​​your movie ending versus the book ending

The Idea Of You film adds an epilogue

The major difference The idea of ​​you what makes the story is that it ends on a touch of ambiguity, while the novel ends on a note of finality. In some ways, the book’s ending is slightly more surprising than the movie’s. The entire story focuses on the whirlwind and passionate relationship between the two men. However, it all ends almost as quickly as it began. One of the major problems the couple faces is that the relationship and public discourse is having a negative impact on Solène’s relationship with her daughter. So, one day, Solène simply decides to end the relationship.


In The idea of ​​you book, Hayes attempts to salvage their relationship, even offering to leave the group to pursue a private relationship and life with Solène. However, she refuses to allow him to put his life and career on hold, which will lead to their breakup. Once Solène has made her decision, she doesn’t change it. She quickly ghosts him, and as he continues to reach out, her communications eventually stop. There is no evidence that the two men spoke or saw each other again. after their relationship abruptly ended in the book.

The film changes the ending by offering an epilogue. As in the book, the couple separates because it is in the interest of Solène’s daughter. However, they promise to review their relationship within five years. Five years later, Solène and Hayes live a happy and fulfilled life. As promised, however, Hayes shows up at Solène’s workplace, and the two men look at each other, teasing the renewal of their relationship. The idea of ​​you follows the trajectory of the book closely enough to grasp its themes and meaning, but shifts slightly to end on a note of hope rather than melancholy.


Source: TV Insider

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The Idea of ​​You (2024)

Based on the famous contemporary love story of the same name, The Idea of ​​You centers on Solène (Anne Hathaway), a 40-year-old single mother who begins an unexpected romance with 24-year-old Hayes Campbell (Nicholas Galitzine). , the singer of August Moon, the hottest boy band on the planet. When Solène has to step in to accompany her teenage daughter’s trip to the Coachella music festival after her ex bails at the last minute, she has a chance meeting with Hayes and there’s an instant, undeniable spark. As they begin a whirlwind romance, Hayes’ superstar status soon poses inevitable challenges to their relationship, and Solène soon discovers that life in Hayes’ spotlight might be more than she imagined.

Director
Michael Showalter

Release date
May 2, 2024

Writers
Robinne Lee, Michael Showalter, Jennifer Westfeldt

Cast
Anne Hathaway Nicholas Galitzine, Ella Rubin, Annie Mumolo, Reid Scott, Perry Mattfeld, Jordan Aaron Hall, Mathilda Gianopoulos

Duration
115 minutes

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